Women’s Empowerment and Other Issues in Mona Lisa Smile and And the Spring Comes
Posted: Tue Apr 09, 2019 11:04 pm
Taylor Hayes
Women’s Empowerment and Other Issues in Mona Lisa Smile and And the Spring Comes
The two movies, Mona Lisa Smile and And the Spring Comes tell two different stories of artistic teachers from opposite sides of the world. Katherine Watson, played by famous actress Julia Roberts at the height of her career, relocates from California to teach art history at a prestigious, all-girls school called Wellesley College in 1953 in Mona Lisa Smile. Wang Cailing in And the Spring Comes aspires for a career in singing opera during the 80s in China. She also teaches and mentors various students along the way. However, both of the main characters are restricted by the traditions and social norms of the time. In America, Katherine doesn’t conform to women as homemakers and mothers while Wang Cailing adopts daughter Fan without getting married.
Each important character in Mona Lisa Smile represents a limiting or liberating factor to American women during the 50s. To start, Katherine rejects the concept of marriage while one of her students, Betty, aspires to be married and become a housewife because motherhood was viewed as the most fulfilling role in society for a young woman. Most women would marry and stay at home to take care of the children while the men worked. Eventually, Betty divorces her husband which was unconventional for the 50s due to religious and social reasons. Since Katherine is seen as unconventional and “goes against the grain”, she struggles to bond with her students in the beginning and isn’t well liked by the alumni board despite her tremendous knowledge and skill. Katherine Watson seeks her own truth beyond tradition and definition. Another one of her students, Giselle, represents women’s newly-discovered sexual liberation as she pursues married men and her Italian Professor, Bill Dunbar. Her parents are also divorced and she is judged by her friends, including Betty for her scandalous actions. Lastly, Katherine’s favorite student, Joan, initially dreams of going to Yale law school until she elopes with husband Tommy. Since it was hard for women to gain an education at the time, Katherine helps her apply to Yale. In a scene at Betty’s wedding, Tommy expresses to Katherine his desire to marry Joan and move to Philadelphia with him instead of attending Yale. He says, “that’ll be an awful long commute [from Yale] when she needs to get dinner on the table at 5.” Despite her goals, Joan ends up marrying Tommy and abandoning her education to take care of her husband. From the etiquette classes, to the ideas about divorce and marriage, single-sex dormitories, and the denunciation of contraceptives, Mona Lisa Smile accurately depicts American society during the 50s which was deeply entrenched in traditional gender roles.
In And the Spring Comes, Wang Cailing is socially constrained by Chinese society since she is an unattractive, single musician. Like a lot of younger people at the time, Wang wants to move to Beijing to continue her career in music and escape her poor living conditions. The painter, Haung Sabio, and Wang have a connection because they are both condemned for practicing Western art. And the Spring Comes is drastically darker than Mona Lisa Smile as it shows Wang’s many failed relationships and turns to teaching and singing for happiness. Towards the end she even turns to a match making agency to find a partner. After no success, she adopts a young girl who has a cleft lip. Wang’s adoption of Fan is symbolic in the sense that neither of them are conventionally beautiful. Just after surgery, someone asks what happened to her face.
In the end, Katherine and Wang Cailing show what it’s like to be women in their worlds and their struggles. Katherine isn’t interested in becoming a housewife because she doesn’t believe they have any depth or interests while Wang Cailing ends up a working, single mother. Both movies show the progress that has been made in terms of women’s issues but also the tremendous amount of work that still needs to be done to gain true gender equality.
Women’s Empowerment and Other Issues in Mona Lisa Smile and And the Spring Comes
The two movies, Mona Lisa Smile and And the Spring Comes tell two different stories of artistic teachers from opposite sides of the world. Katherine Watson, played by famous actress Julia Roberts at the height of her career, relocates from California to teach art history at a prestigious, all-girls school called Wellesley College in 1953 in Mona Lisa Smile. Wang Cailing in And the Spring Comes aspires for a career in singing opera during the 80s in China. She also teaches and mentors various students along the way. However, both of the main characters are restricted by the traditions and social norms of the time. In America, Katherine doesn’t conform to women as homemakers and mothers while Wang Cailing adopts daughter Fan without getting married.
Each important character in Mona Lisa Smile represents a limiting or liberating factor to American women during the 50s. To start, Katherine rejects the concept of marriage while one of her students, Betty, aspires to be married and become a housewife because motherhood was viewed as the most fulfilling role in society for a young woman. Most women would marry and stay at home to take care of the children while the men worked. Eventually, Betty divorces her husband which was unconventional for the 50s due to religious and social reasons. Since Katherine is seen as unconventional and “goes against the grain”, she struggles to bond with her students in the beginning and isn’t well liked by the alumni board despite her tremendous knowledge and skill. Katherine Watson seeks her own truth beyond tradition and definition. Another one of her students, Giselle, represents women’s newly-discovered sexual liberation as she pursues married men and her Italian Professor, Bill Dunbar. Her parents are also divorced and she is judged by her friends, including Betty for her scandalous actions. Lastly, Katherine’s favorite student, Joan, initially dreams of going to Yale law school until she elopes with husband Tommy. Since it was hard for women to gain an education at the time, Katherine helps her apply to Yale. In a scene at Betty’s wedding, Tommy expresses to Katherine his desire to marry Joan and move to Philadelphia with him instead of attending Yale. He says, “that’ll be an awful long commute [from Yale] when she needs to get dinner on the table at 5.” Despite her goals, Joan ends up marrying Tommy and abandoning her education to take care of her husband. From the etiquette classes, to the ideas about divorce and marriage, single-sex dormitories, and the denunciation of contraceptives, Mona Lisa Smile accurately depicts American society during the 50s which was deeply entrenched in traditional gender roles.
In And the Spring Comes, Wang Cailing is socially constrained by Chinese society since she is an unattractive, single musician. Like a lot of younger people at the time, Wang wants to move to Beijing to continue her career in music and escape her poor living conditions. The painter, Haung Sabio, and Wang have a connection because they are both condemned for practicing Western art. And the Spring Comes is drastically darker than Mona Lisa Smile as it shows Wang’s many failed relationships and turns to teaching and singing for happiness. Towards the end she even turns to a match making agency to find a partner. After no success, she adopts a young girl who has a cleft lip. Wang’s adoption of Fan is symbolic in the sense that neither of them are conventionally beautiful. Just after surgery, someone asks what happened to her face.
In the end, Katherine and Wang Cailing show what it’s like to be women in their worlds and their struggles. Katherine isn’t interested in becoming a housewife because she doesn’t believe they have any depth or interests while Wang Cailing ends up a working, single mother. Both movies show the progress that has been made in terms of women’s issues but also the tremendous amount of work that still needs to be done to gain true gender equality.