Non-Verbal Strategies: “Mona Lisa Smile” and “And the Spring Comes”
Posted: Mon Apr 15, 2019 5:51 pm
Michael Henning
Non-Verbal Strategies: “Mona Lisa Smile” and “And the Spring Comes”
The two films that we have watched for this class, “Mona Lisa Smile” and “And the Spring Comes” are different films in nearly every possible way. After watching both films, although they both have themes of empowerment and personal growth, I argue that the most strikingly different aspects of the two films, especially when considering them side by side, are the non-verbal strategies both films employ. Including, but not limited to the characters’ clothes, makeup, and actors, and the production aspects, these two movies are near polar opposites. These strategies also are employed to advance the plot and show the themes of empowerment and how they advance throughout the film.
Beginning with “Mona Lisa Smile,” the American film, viewers are greeted with what could be called the classic American, or Hollywood, style. First analyzing the actors chosen for the movie, these people are beautiful. While the film could be reality, there is simply no way that everyone would look the way that they do in a real-life version of this film. This is a key element of the classic Hollywood style. This is also something that is done to make sure people want to come see the movie. Hollywood prescribes to the ideology that people want to come see the movies because it is something to remove them from the realities of their everyday lives. This movie is no different, as the characters are all clean cut, attractive, and have on makeup to make them look their best. This is best exemplified in the scene when we meet the majority of the characters for the first time, in the first lesson. As the camera rapidly goes from face to face in the room, we see the characters and their attractiveness, embodying the core values of the Hollywood style. Flipping to the Chinese film, “And the Spring Comes,” it could not be more different. Rather than treating the viewers of the film to an escape from reality, this film transports you to what real life looks like. By using people that look normal instead of supermodels, and not giving them fancy clothes or makeup, this film looks less like a film and more like if someone had taken a video camera into the lives of these characters. The portion that stuck out to me the most was in the very beginning, when one character destroys the art studio of another. The characters look like normal people in a normal circumstance. This strategy is used to make the movie seem more realistic and because it lets the viewer transport themselves to the movie. This also triggers the theme of female empowerment. Through the lens of image, female empowerment is advanced especially in this film. In the beginning of the film, the main character is often shown in drab, bleak circumstances. This advances throughout the film and culminates in her final dream which depicts her performing to an audience in beautiful clothing. This is done to show her mental advancement throughout the film.
The second non-verbal strategy that was supremely different between the two films was the difference in types of camera shots and angles employed to get their messages across. Looking at “Mona Lisa Smile,” to achieve the drama that the movie is going for, it uses quick movements from shot to shot and face to face. In times of drama, the camera uses angles from above to establish a stronger position. In the scene in which Julia Roberts lectures Kirsten Dunst about missing class, the film is shot from above Roberts’ shoulder, giving her the position of superiority. In “And the Spring Comes,” the viewer is not given quite the same experience. This film traditionally uses longer and more drawn out shots. This is to get a full view of the world that the characters are experiencing, rather than shots being used to establish a specific emotion.
These films shared certain values when it came to overarching themes, but especially in the ways that they were shot and produced, they could not be more different.
Non-Verbal Strategies: “Mona Lisa Smile” and “And the Spring Comes”
The two films that we have watched for this class, “Mona Lisa Smile” and “And the Spring Comes” are different films in nearly every possible way. After watching both films, although they both have themes of empowerment and personal growth, I argue that the most strikingly different aspects of the two films, especially when considering them side by side, are the non-verbal strategies both films employ. Including, but not limited to the characters’ clothes, makeup, and actors, and the production aspects, these two movies are near polar opposites. These strategies also are employed to advance the plot and show the themes of empowerment and how they advance throughout the film.
Beginning with “Mona Lisa Smile,” the American film, viewers are greeted with what could be called the classic American, or Hollywood, style. First analyzing the actors chosen for the movie, these people are beautiful. While the film could be reality, there is simply no way that everyone would look the way that they do in a real-life version of this film. This is a key element of the classic Hollywood style. This is also something that is done to make sure people want to come see the movie. Hollywood prescribes to the ideology that people want to come see the movies because it is something to remove them from the realities of their everyday lives. This movie is no different, as the characters are all clean cut, attractive, and have on makeup to make them look their best. This is best exemplified in the scene when we meet the majority of the characters for the first time, in the first lesson. As the camera rapidly goes from face to face in the room, we see the characters and their attractiveness, embodying the core values of the Hollywood style. Flipping to the Chinese film, “And the Spring Comes,” it could not be more different. Rather than treating the viewers of the film to an escape from reality, this film transports you to what real life looks like. By using people that look normal instead of supermodels, and not giving them fancy clothes or makeup, this film looks less like a film and more like if someone had taken a video camera into the lives of these characters. The portion that stuck out to me the most was in the very beginning, when one character destroys the art studio of another. The characters look like normal people in a normal circumstance. This strategy is used to make the movie seem more realistic and because it lets the viewer transport themselves to the movie. This also triggers the theme of female empowerment. Through the lens of image, female empowerment is advanced especially in this film. In the beginning of the film, the main character is often shown in drab, bleak circumstances. This advances throughout the film and culminates in her final dream which depicts her performing to an audience in beautiful clothing. This is done to show her mental advancement throughout the film.
The second non-verbal strategy that was supremely different between the two films was the difference in types of camera shots and angles employed to get their messages across. Looking at “Mona Lisa Smile,” to achieve the drama that the movie is going for, it uses quick movements from shot to shot and face to face. In times of drama, the camera uses angles from above to establish a stronger position. In the scene in which Julia Roberts lectures Kirsten Dunst about missing class, the film is shot from above Roberts’ shoulder, giving her the position of superiority. In “And the Spring Comes,” the viewer is not given quite the same experience. This film traditionally uses longer and more drawn out shots. This is to get a full view of the world that the characters are experiencing, rather than shots being used to establish a specific emotion.
These films shared certain values when it came to overarching themes, but especially in the ways that they were shot and produced, they could not be more different.