Movie Essay
Posted: Tue Apr 14, 2020 5:35 pm
Steven Toomey
I would like to explore the concept of marriage in the films Mona Lisa Smile 2003 and And the Spring Comes 2007 in relation to women’s empowerment and mobility. Marriage acts in similar ways in both films as a socially valued institution that universally inhibits the movement of characters whose life experiences are radically different. In China and the U.S., tradition is a primary social force encouraging women to get married, but in the film Mona Lisa Smile we also see advertising and market forces as factors pushing women towards marriage as well. In both films marriage is depicted as holding back people from pursuing their dreams despite the significantly different physical, social, and economic environments that the characters occupy.
The characters in the film Mona Lisa Smile exist in the so-called golden age of 1950s America. The all-female student body at the prestigious Wellesley college is a group of upper class Caucasian aristocrats whose parents send them to college not to get an education and a diploma but to get married. The character Joan Brandwyn played by actress Julia Stiles exemplifies this concept. When art history professor Katherine Watson, played by actress Julia Roberts, asks her student Joan what her major is, Joan tells Katherine she is majoring in pre-law. Katherine then asks Joan what law school she plans on attending and it is made clear that Joan never intended to actually go to law school. Her character goes to college to major in pre-law without ever planning to actually go to law school because college is a place for young women to get married. Katherine Watson butts heads with her student Betty Warren, played by Kirsten Dunst, because Betty misses multiple classes after getting married. Watson does not want to look the other way and make an exception for newly married students despite having it explained to her that at Wellesley it is a tradition for teachers to allow newlywed students to miss class. Even at the institutional university level, more value is placed upon marriage than one’s academic studies. Katherine attempts to resist the institutional priority of marriage over academic studies and careers by trying to inspire her students to do things like go to grad school and have a career and a family at the same time which is considered to be radical by conservatives like Betty. At the end of the film Betty eventually turns around at the end of the film because she experiences the worst thing that could ever socially happen to a wealthy young woman her age—a divorce. The film demonstrates the high degree of social constraints placed upon aristocratic women in the typically heavily romanticized time period of the 1950s.
In the film And the Spring Comes, characters are also stigmatized for valuing their careers over marriage, but they are also working-class aspiring artists who live in poverty and rundown tenement housing. In this film, unmarried older characters are stigmatized by the rest of society and it is similar to how some students view professor Katherine with suspicion due to her marital status in Mona Lisa Smile. Professor Wang spends her entire life attempting to become an opera singer in Beijing but is unable to set aside the time to get married due to the highly competitive opera singer market. Marriage for Wangwould forever prevent her from obtaining her life’s dream. Both professor Wang and Mr. Hu, two aspiring artists, consider getting married to put rumors about them to rest because they have foregone marriage during the development of their artistic careers. The film And the Spring Comes has characters in a more commonplace situation financially and socially by depicting the poor and the women in the movie face not only challenges like marriage blocking career opportunities but also dealing with domestic abuse and drunken men whereas in Mona Lisa Smile one of the worst things that could conceivably happen to a young woman is a divorce. Both films explore the effects of marriage on careers for women, but the film And the Spring Comes takes a more pragmatic approach to the topic by having more commonplace character backgrounds.
I would like to explore the concept of marriage in the films Mona Lisa Smile 2003 and And the Spring Comes 2007 in relation to women’s empowerment and mobility. Marriage acts in similar ways in both films as a socially valued institution that universally inhibits the movement of characters whose life experiences are radically different. In China and the U.S., tradition is a primary social force encouraging women to get married, but in the film Mona Lisa Smile we also see advertising and market forces as factors pushing women towards marriage as well. In both films marriage is depicted as holding back people from pursuing their dreams despite the significantly different physical, social, and economic environments that the characters occupy.
The characters in the film Mona Lisa Smile exist in the so-called golden age of 1950s America. The all-female student body at the prestigious Wellesley college is a group of upper class Caucasian aristocrats whose parents send them to college not to get an education and a diploma but to get married. The character Joan Brandwyn played by actress Julia Stiles exemplifies this concept. When art history professor Katherine Watson, played by actress Julia Roberts, asks her student Joan what her major is, Joan tells Katherine she is majoring in pre-law. Katherine then asks Joan what law school she plans on attending and it is made clear that Joan never intended to actually go to law school. Her character goes to college to major in pre-law without ever planning to actually go to law school because college is a place for young women to get married. Katherine Watson butts heads with her student Betty Warren, played by Kirsten Dunst, because Betty misses multiple classes after getting married. Watson does not want to look the other way and make an exception for newly married students despite having it explained to her that at Wellesley it is a tradition for teachers to allow newlywed students to miss class. Even at the institutional university level, more value is placed upon marriage than one’s academic studies. Katherine attempts to resist the institutional priority of marriage over academic studies and careers by trying to inspire her students to do things like go to grad school and have a career and a family at the same time which is considered to be radical by conservatives like Betty. At the end of the film Betty eventually turns around at the end of the film because she experiences the worst thing that could ever socially happen to a wealthy young woman her age—a divorce. The film demonstrates the high degree of social constraints placed upon aristocratic women in the typically heavily romanticized time period of the 1950s.
In the film And the Spring Comes, characters are also stigmatized for valuing their careers over marriage, but they are also working-class aspiring artists who live in poverty and rundown tenement housing. In this film, unmarried older characters are stigmatized by the rest of society and it is similar to how some students view professor Katherine with suspicion due to her marital status in Mona Lisa Smile. Professor Wang spends her entire life attempting to become an opera singer in Beijing but is unable to set aside the time to get married due to the highly competitive opera singer market. Marriage for Wangwould forever prevent her from obtaining her life’s dream. Both professor Wang and Mr. Hu, two aspiring artists, consider getting married to put rumors about them to rest because they have foregone marriage during the development of their artistic careers. The film And the Spring Comes has characters in a more commonplace situation financially and socially by depicting the poor and the women in the movie face not only challenges like marriage blocking career opportunities but also dealing with domestic abuse and drunken men whereas in Mona Lisa Smile one of the worst things that could conceivably happen to a young woman is a divorce. Both films explore the effects of marriage on careers for women, but the film And the Spring Comes takes a more pragmatic approach to the topic by having more commonplace character backgrounds.