14 - To be or not to be ——a brief film review about comparison of And the Spring Comes and Mona Lisa Smile
Posted: Wed Apr 11, 2018 2:47 pm
After watching these two films, the first sentence that came across my mind is the famous remark said by Hamlet ‘To be or not to be, is a question’. Personally, I hold the point that both of them talk about the same topic——the price of human being. Therefore, I hope to make it clear by comparing the same and different of them.
I would like to make an explanation from two aspects, barely based on female leads’ different identities.
To begin with, since two female leads in the films are both what we called intellectuals (Wang Cai Ling is an opera singer and Catharine is a unique and independent art teachter), this identity is doomed to separate from traditional society or even resist it. Here, the society I mean is the entire environment that we live, just like the small village Wang Cai Ling lives, as well as Wellesley that Catharine teaches. It is the small and harsh living environment that reflects the survive space that the big society spare for the intellectuals. Absolutely, the rules, traditions, others’ opinions and so many things that opposite to their sense of world cage them and destroy their price as an independent person.
And then, I must mention that they, the two female roles, are women. Both films are discussing some question about women and their price. Are women a tool for birth? Whether the most significant achievements that women can make are taking good care of her family and baby? Does a woman have the right to choose to be single? The films describe a kind of living predicament of two women to consider questions in our society that look down on the value of women’s existence and meaning of becoming an independent and thoughtful woman. These remind me of a drama called <A Doll’s Play>. Our female roles are just like the poor Nora that played a role of ‘lark‘ in her husband’s eyes and the prop of the big family. Even if Nora saved her husband’s life by borrowing money secretly, she still failed to receive the respect and belief of her husband and the whole society which believed that women only have the sacred value of caring babies and holding family. Also, in the film And the Spring Comes, Wang Cai Ling firmly hold the dream of being an opera singer in the Paris Opera House. However, without a Beijing registered residence and a good look,she only survived to raise a baby in Beijing by the price of sacrificing her dream and selling pork. We must admit that her dream has completely broken down, as well as the hope of her life. (she put her dream on the adopted daughter instead)
Maybe we cannot simply blame the failure of their lives on the people around them, what’s more, we should consider the society factor that cannot be ignored. Whether the world has already face up to the value of women and respect their own rights just like men decides a fundamental social relationship among people.
All in all, I hold the view that two films get us thinking the treatment and situation of intellectuals and women by the broken dreams of two women. There is no doubt that even if an individual’s strength is insignificant in the face of society, we can’t ignore the value of human’s existence and their minds.
I would like to make an explanation from two aspects, barely based on female leads’ different identities.
To begin with, since two female leads in the films are both what we called intellectuals (Wang Cai Ling is an opera singer and Catharine is a unique and independent art teachter), this identity is doomed to separate from traditional society or even resist it. Here, the society I mean is the entire environment that we live, just like the small village Wang Cai Ling lives, as well as Wellesley that Catharine teaches. It is the small and harsh living environment that reflects the survive space that the big society spare for the intellectuals. Absolutely, the rules, traditions, others’ opinions and so many things that opposite to their sense of world cage them and destroy their price as an independent person.
And then, I must mention that they, the two female roles, are women. Both films are discussing some question about women and their price. Are women a tool for birth? Whether the most significant achievements that women can make are taking good care of her family and baby? Does a woman have the right to choose to be single? The films describe a kind of living predicament of two women to consider questions in our society that look down on the value of women’s existence and meaning of becoming an independent and thoughtful woman. These remind me of a drama called <A Doll’s Play>. Our female roles are just like the poor Nora that played a role of ‘lark‘ in her husband’s eyes and the prop of the big family. Even if Nora saved her husband’s life by borrowing money secretly, she still failed to receive the respect and belief of her husband and the whole society which believed that women only have the sacred value of caring babies and holding family. Also, in the film And the Spring Comes, Wang Cai Ling firmly hold the dream of being an opera singer in the Paris Opera House. However, without a Beijing registered residence and a good look,she only survived to raise a baby in Beijing by the price of sacrificing her dream and selling pork. We must admit that her dream has completely broken down, as well as the hope of her life. (she put her dream on the adopted daughter instead)
Maybe we cannot simply blame the failure of their lives on the people around them, what’s more, we should consider the society factor that cannot be ignored. Whether the world has already face up to the value of women and respect their own rights just like men decides a fundamental social relationship among people.
All in all, I hold the view that two films get us thinking the treatment and situation of intellectuals and women by the broken dreams of two women. There is no doubt that even if an individual’s strength is insignificant in the face of society, we can’t ignore the value of human’s existence and their minds.