3 - Mona Lisa Smile and And the Spring Comes
Posted: Wed Apr 11, 2018 1:44 am
Eastern and Western rhetoric are often compared through the lens of important written texts, such as the Dao De Jing or Phaedrus. However, in order to compare Eastern and Western rhetoric in modern times, the rhetoric of film is a viable option, as films are often widely viewed by people of that culture. Therefore, films offer unique insight into the differences and similarities in Eastern and Western culture through rhetoric. One key cultural representation that is significant is women’s empowerment, and this rhetoric can be analyzed through both verbal and non-verbal strategies used in each film.
While there are numerous verbal strategies that are used in both films, the verbal strategies that will be addressed in this paper are pathos, logos, li, and yi. Pathos and logos are both commonly used strategies in Western rhetoric; pathos refers to an emotional appeal, and logos refers to a logical appeal. Li and yi are both concepts borne out of Eastern Confucian rhetoric; li refers to how people treat each other in a community and the responsibilities they have to one another, and yi refers to the concept of morality and how people should treat each other the right way. One scene in Mona Lisa Smile is when Betty Warren attacks Katherine Watson in the college newspaper. This scene appeals to many verbal rhetorical strategies, and provides cultural representation. Pathos is seen here through the emotional impact that this, now very public, struggle takes on both Katherine and her less liberal students, like Betty. Logos is seen here because it is logical for Betty, who disagrees with Katherine’s views, to use her voice in one of the only ways she is able to gain support against Katherine. Li and yi are both seen here because community and morality are both key. The question of whether Betty was right to attack Katherine in such a public space is questionable, which brings in the topic of whether or not this was a moral choice. Since this is such a public space, community is brought into the centerfold as well. All of these verbal strategies show how women’s empowerment is represented in Western rhetoric. Although both Katherine and Betty are portrayed as strong women who have strong views, there is clearly an issue with girl on girl fighting. This is not a new concept in Western rhetoric, as empowered women are constantly seen as fighting each other instead of working together; the women are normally fighting over a man, like in Mean Girls. This film is no different, and the issue is still over men, particularly whether theses girls should get married or not. Western rhetoric offers a narrative that even though women can be empowered, they must still fight over men.
And Spring Comes also uses verbal strategies to illustrate women’s empowerment. One scene that portrays this is Wang’s suicide scene after she discovers that her lover only thinks of her as a friend. Pathos in this scene is evident because suicide is deeply attached to feelings of despair and sadness. Logos is not as evident, but can be seen through a feminist lens. Women are taught that beauty is of the utmost importance, and that they should strive for men’s love. Wang’s suicide is then logical because society views her as ugly, and she is further traumatized by being rejected; therefore, she has no reason to live because the only options that society afforded her were to be beautiful or to have a boyfriend. Li is evident because with suicide, comes a sense of responsibility. Who is responsible for her attempted suicide? Is it Wang herself, or is it the society that outcasted her? Yi is clear here as well because society should not have treated Wang so poorly, and Wang’s lover and Wang herself should have both been more open about what they expected out of the relationship. This offers insight into Eastern views on women’s empowerment. Women who are not beautiful are clearly devalued in society, and this film is commenting on the effects of that on women’s minds. Also, this film is perpetrating the narrative that women who aren’t beautiful, cannot love themself or be loved by the people that they love. This film compared to Mona Lisa Smile offers a different view on women’s empowerment. Wang and Katherine are both empowered because they are pursuing their dreams, despite society not agreeing with them or inherently valuing them. Both films focus on women’s relationships to men, which is troubling because in order for women to be empowered, their struggles should be in the spotlight. For example, Mona Lisa Smile could have easily been about Katherine’s struggle as a female teacher during a time of intense male pressure for women to stay at home; this would have made the key issue of the film about women overcoming male dominance. However, the film writers chose instead to focus on Katherine and her student’s troubles with marriage. In And the Spring Comes, the key issue could have simply been Wang’s struggle to love herself despite society thinking she’s ugly; instead, the issue is her relationship with a man. The Western film gives an illusion of empowerment, but in reality, this film is just a reproduction of age-old movie tropes about women fighting over men. The Eastern film offers an illusion of empowerment because Wang is following her dreams and trying to overcome the fact that she’s not viewed as beautiful, but in reality, Wang is internalizing this pressure and the focus is on whether or not men love her.
Nonverbal strategies can be regarded as anything from clothes, lighting, framing, etc. In this paper, lighting and clothing will be the main focus of the film. In Mona Lisa Smile, the lighting is considerably brighter than And the Spring Comes; In addition, the Mona Lisa Smile cast is dressed much nicer than the cast of And the Spring Comes. Dark lighting is consistent throughout And the Spring Comes, as well as darker colors, like deep blues. This reflects the dark tone of the film. The clothing is also not beautiful, which reflects Wang herself not being beautiful. And the Spring Comes uses these non-verbal elements to signify the suffering that is happening; this film makes it obvious that “ugly” women, even talented ones, must face harsh realities. Mona Lisa Smile uses brighter lighting and nice clothes, which adds to the illusion that Katherine is empowering her students and showing them the light, or rather, the idea that marriage is not the only option. However, the fact that these women choose to tear each other down and fight, instead of build each other up and listen to each other, clearly makes this movie anti-women’s empowerment. The nice clothes are meant to show that Katherine and her students are empowered and professional, but the clothes are still typically feminine colors and articles of clothing, like skirts or dresses.
Again, Western rhetoric in this film is trying to portray women as empowered, but instead uses plotlines, like female infighting, to subtly disempower women. Eastern rhetoric in the film, And the Spring Comes, very obviously shows how Wang is disempowered by society, yet still trying to empower herself through her career. However, Wang is still unable to be loved because of her looks and much of the plot focuses on her relationships with men, not her own journey for self-love. It can be inferred from these two films that the West is offering women’s empowerment, yet still expects women to fight with each other and focus on their relationships with men. The East recognizes that women should try to empower themselves, yet it is clear that women who try will fail or be driven to suicide. Both of these films use verbal and nonverbal cues to offer insight into cultural representation, and both of these films are problematic when it comes to women’s empowerment.
While there are numerous verbal strategies that are used in both films, the verbal strategies that will be addressed in this paper are pathos, logos, li, and yi. Pathos and logos are both commonly used strategies in Western rhetoric; pathos refers to an emotional appeal, and logos refers to a logical appeal. Li and yi are both concepts borne out of Eastern Confucian rhetoric; li refers to how people treat each other in a community and the responsibilities they have to one another, and yi refers to the concept of morality and how people should treat each other the right way. One scene in Mona Lisa Smile is when Betty Warren attacks Katherine Watson in the college newspaper. This scene appeals to many verbal rhetorical strategies, and provides cultural representation. Pathos is seen here through the emotional impact that this, now very public, struggle takes on both Katherine and her less liberal students, like Betty. Logos is seen here because it is logical for Betty, who disagrees with Katherine’s views, to use her voice in one of the only ways she is able to gain support against Katherine. Li and yi are both seen here because community and morality are both key. The question of whether Betty was right to attack Katherine in such a public space is questionable, which brings in the topic of whether or not this was a moral choice. Since this is such a public space, community is brought into the centerfold as well. All of these verbal strategies show how women’s empowerment is represented in Western rhetoric. Although both Katherine and Betty are portrayed as strong women who have strong views, there is clearly an issue with girl on girl fighting. This is not a new concept in Western rhetoric, as empowered women are constantly seen as fighting each other instead of working together; the women are normally fighting over a man, like in Mean Girls. This film is no different, and the issue is still over men, particularly whether theses girls should get married or not. Western rhetoric offers a narrative that even though women can be empowered, they must still fight over men.
And Spring Comes also uses verbal strategies to illustrate women’s empowerment. One scene that portrays this is Wang’s suicide scene after she discovers that her lover only thinks of her as a friend. Pathos in this scene is evident because suicide is deeply attached to feelings of despair and sadness. Logos is not as evident, but can be seen through a feminist lens. Women are taught that beauty is of the utmost importance, and that they should strive for men’s love. Wang’s suicide is then logical because society views her as ugly, and she is further traumatized by being rejected; therefore, she has no reason to live because the only options that society afforded her were to be beautiful or to have a boyfriend. Li is evident because with suicide, comes a sense of responsibility. Who is responsible for her attempted suicide? Is it Wang herself, or is it the society that outcasted her? Yi is clear here as well because society should not have treated Wang so poorly, and Wang’s lover and Wang herself should have both been more open about what they expected out of the relationship. This offers insight into Eastern views on women’s empowerment. Women who are not beautiful are clearly devalued in society, and this film is commenting on the effects of that on women’s minds. Also, this film is perpetrating the narrative that women who aren’t beautiful, cannot love themself or be loved by the people that they love. This film compared to Mona Lisa Smile offers a different view on women’s empowerment. Wang and Katherine are both empowered because they are pursuing their dreams, despite society not agreeing with them or inherently valuing them. Both films focus on women’s relationships to men, which is troubling because in order for women to be empowered, their struggles should be in the spotlight. For example, Mona Lisa Smile could have easily been about Katherine’s struggle as a female teacher during a time of intense male pressure for women to stay at home; this would have made the key issue of the film about women overcoming male dominance. However, the film writers chose instead to focus on Katherine and her student’s troubles with marriage. In And the Spring Comes, the key issue could have simply been Wang’s struggle to love herself despite society thinking she’s ugly; instead, the issue is her relationship with a man. The Western film gives an illusion of empowerment, but in reality, this film is just a reproduction of age-old movie tropes about women fighting over men. The Eastern film offers an illusion of empowerment because Wang is following her dreams and trying to overcome the fact that she’s not viewed as beautiful, but in reality, Wang is internalizing this pressure and the focus is on whether or not men love her.
Nonverbal strategies can be regarded as anything from clothes, lighting, framing, etc. In this paper, lighting and clothing will be the main focus of the film. In Mona Lisa Smile, the lighting is considerably brighter than And the Spring Comes; In addition, the Mona Lisa Smile cast is dressed much nicer than the cast of And the Spring Comes. Dark lighting is consistent throughout And the Spring Comes, as well as darker colors, like deep blues. This reflects the dark tone of the film. The clothing is also not beautiful, which reflects Wang herself not being beautiful. And the Spring Comes uses these non-verbal elements to signify the suffering that is happening; this film makes it obvious that “ugly” women, even talented ones, must face harsh realities. Mona Lisa Smile uses brighter lighting and nice clothes, which adds to the illusion that Katherine is empowering her students and showing them the light, or rather, the idea that marriage is not the only option. However, the fact that these women choose to tear each other down and fight, instead of build each other up and listen to each other, clearly makes this movie anti-women’s empowerment. The nice clothes are meant to show that Katherine and her students are empowered and professional, but the clothes are still typically feminine colors and articles of clothing, like skirts or dresses.
Again, Western rhetoric in this film is trying to portray women as empowered, but instead uses plotlines, like female infighting, to subtly disempower women. Eastern rhetoric in the film, And the Spring Comes, very obviously shows how Wang is disempowered by society, yet still trying to empower herself through her career. However, Wang is still unable to be loved because of her looks and much of the plot focuses on her relationships with men, not her own journey for self-love. It can be inferred from these two films that the West is offering women’s empowerment, yet still expects women to fight with each other and focus on their relationships with men. The East recognizes that women should try to empower themselves, yet it is clear that women who try will fail or be driven to suicide. Both of these films use verbal and nonverbal cues to offer insight into cultural representation, and both of these films are problematic when it comes to women’s empowerment.